Sculpture in Painting
Henry Moore Institute, Leeds
The only exhibition to be held at Henry Moore Institute that has not included sculpture, this transhistorical exhibition explored the depiction of sculpture in paintings. I coordinated the initial research that culminated in the exhibition, involving several workshops in London, Edinburgh and Leeds with a variety of academics and art historians. My essay, “Boris Taslitzky: Head of Géricault by Lipchitz” was published in the catalogue which can be seen here.
The exhibition was featured in: